25,757 Royalty-Free Audio Tracks for "Midi Files Of Piano Music"

Mu major chord on C. Created by Hyacinth (talk) 21:52, 9 November 2009 using Sibelius 5.

Minor tenth on C - As MIDI

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

12-1 (chromatic) dodecachord on C

4-29ZB (all-interval) tetrachord on C

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

In scale on D.

G major chord, root in red.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

John Jacob Jingleheimer Schmidt

4-15ZA (all-interval) tetrachord on C

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

6/8 clave rhythm.

Octave and Minor third on C

Istrian mode on C

Fifteenth chord from Schoenberg on C

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

Dominant eleventh without third.

Diatonic scale on C, guitar tablature clef.

Čeština: Česká lidová píseň Černé oči jděte spát Czech traditional song Černé oči jděte spát

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.

Blast beat drum pattern.

Major triad on C in second inversion.

Lydian dominant scale on C.

Iidim6 chord in C.

Prime row form from Stravinsky's Requiem Canticles.

Blast beat drum pattern.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

3-9A trichord on C. Sus2 chord.

Minor chord on A.

Major thirteenth on F

Tone row with Schoenberg's initials preceded by remaining four notes.

Delayed backbeat (last eighth note in each measure) as in funk music. Created in Sibelius. en:Image:Delayed backbeat.png

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

MIDI file of Christmas Carol "A Child This Day Is Born" 1913 by Arthur Massey 1861-1950 Australia

Minor thirteenth on F, as MIDI

Tone row from Stockhausen's Klavierstück IX.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Tone proportions of Studie I. I took F♮ as the starting point.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Simple and compound major third (major third and major tenth).

Reggae one drop pattern, half-time variation.

Heavy metal gallop variation featuring triplets.

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach